The Scene
Preview: The Makepeace Brothers @ The Belly Up
Sunday, February 19, 2012 at 4:56pm
By My Nguyen Feb 18 2012
Growing up in the vibrant music community of Ithaca, New York, The Makepeace Brothers did little to deviate from their roots – instead their catchy soulful harmonies became the embodiment of their surname “make peace.” Comprised of Aidan, Liam, Finian, Ciaran Makepeace, The Makepeace Brothers experienced an eclectic range of American roots music when the Makepeace family took a cross-country tour of the US and Canada. And between them, they have lived in Costa Rica, Brazil, and England – each destination having shaped each brother at a musical as well as cultural standpoint.
Combining their years of experience and travels abroad, The Makepeace Brothers were able to fuse their musical visions together to create a cohesive and unique sound. Anyone who’s ever experienced them live will know that a Makepeace Brothers show will give them musical diversity without forgoing approachability. Invigorating and touching, you can’t help but be moved by the songs that can vary between slower-tempos to faster paced island infused with Afro-backbeat melodies. Their live energy is infectious, and anyone who has witnessed them live will testify to an almost divine force beckoning them to the dance floor.
There is no such thing as an onlooker or bystander at a Makepeace Brothers show, because like Finian Makepeace so much as states on the band’s bio page, “We play music that moves us to feel, to think, to act, to dance. If it moves someone even just a little – politically, emotionally, or physically – then we believe it’s a good song.” And with that being said, not one song made by the Makepeace brothers will leave you standing still or leave you uninvolved.
Experience the Makepeace Brothers this coming Monday night, Feb. 20th at the Belly Up, Solana Beach’s premiere destination for good music and a good time. Show starts at 8:00pm, and doors open at 7:00pm, so get there on time to ensure your spot at the event. Tickets start at $10.00/$12.00 day of the show.
Natasha Kozaily
Tuesday, February 7, 2012 at 5:08pm
Natasha Kozaily
Avagabond drifting between continents and her homeland Cayman Islands, singer-songwriter and pianist Natasha Kozaily recently found a new base in Southern California where she recorded her debut album Between Shores and her latest EP A Tale of One Fish.
Whether she’s performing solo or with her talented band of gypsies, Natasha’s music will take you between worlds and souls. She is a generous artist and watching her live, with her unsuspecting rhythms and exotic melodies, is a different kind of experience where music speaks in heartbeats and aquatic respiration.
Free Downloads
MP3: ”Story Makers”
Live Show Review: Handsome Furs @ Belly Up Tavern
Monday, February 6, 2012 at 5:10am
By Connor Green Jan 23rd 2012
The Handsome Furs show at the Belly Up turned out to be a surprising one. After making my way to the Belly Up on a rainy Sunday evening, my first surprise was the large crowd buzzing with drinks and small talk.
My second surprise came when I learned it was the opening band, Snakesuit’s, first ever live performance. They could’ve fooled me. I could hear disparate influences from Joy Division to Modest Mouse to the Bee Gees, but the songs were never derivative. Their sound was bleak, but dancey with a definite 80s Goth vibe to it. But they managed to strike a balance between the dark synthesizers with clear guitars and falsetto harmonies.
After Snakesuit’s first show came another much sadder surprise; that it would D/Wolves’ last show. But these local favorites went out with a blast of guitars. They opened with an earnest song that mourned summer’s passing, particularly appropriate for a rainy winter day. The went on to play a unique mix of doo wop and surf pop tinged with the triumphant nerdy longing of bands like Weezer and The Dismemberment Plan. ON of the highlights was “Cougar Run,” a ballad with a wheezing organ and lonely vocals crooning “Let’s go for a walk down to the park where I first saw you for who you are” and ends up at the chorus, “You’re gonna be alone for the rest of your life.” Luckily, the song pulls up at the last second and pops into third gear with up tempo guitars narrowly avoiding total despair.
After the D/Wolves made their way outside (they were too young to be in the bar) the crowd anxiously anticipated everyone’s favorite crazed Canadian duo, Handsome Furs.
They opened with a burst of synthesizers that begin “When I Get Back” and they were off and running. The lyrics told of traveling expatriates, “And what I saw, I saw lightning, I saw cities, planes, and stars I’ve never known.” Autobiographical no doubt, seeing as they were already back in San Diego after only 6 months on another tour. And when Alexi shouts “we never wanna go home” and you can tell she means it.
Onstage they performed amazing calisthenics, like traveling contortionists, twisting to the song “Serve the People” which strikes me as an anthem for the 99% in this time of economic hardship and inequality. The pounding drum machine, raw vocal delivery and high pitched synths are a perfect expression of resistance in the digital age. With lyrics like “And it’s diamonds and gold for the idiot sons \ All the privileged thieves gonna make things run” the song would be the perfect accompaniment to an Occupy Wall St. rally.
But, this wasn’t a protest, it was a party. Any outrage the crowd had was channeled into their dance moves. Alexi called out compliments, “There’s a good pocket of dancing right over here!” while everyone boogied to the bouncing synths and beating drum machine. It is amazing how much humanity Dan and Alexi wrung out of their soulless electronic machines. By the time the show was done it was as if the whole crowd had been sprayed down with adrenaline.
In their song “Repatriated” Dan sang “I’ve seen the future and it’s coming in low. I’ve seen the future, I will never be repatriated” and maybe Handsome Furs will always be on the run without a country of their own, but I hope they know that they have a temporary home here. This city loves Handsome Furs.
Album Review: The Beautiful View
Monday, February 6, 2012 at 4:52am
Based in San Diego, The Beautiful View is mainly comprised of group members who grew up in Chula Vista (translated in Spanish means, Beautiful View), a city close enough to Tijuana to feel affected by the border violence headlining in the news, but removed enough for kids to safely play in the streets under the conservative banner that makes up San Diego county… Read More
Ricky Small and The Talls
Monday, February 6, 2012 at 4:46am
East coast native Ricky Small is an ever-evolving songwriter with a contagious charm and electric stage performance. His material demands attention, while instantly drawing in and soothing the listener. His band, Ricky Small and The Talls bring their… Read More
Natasha Kozaily
Saturday, February 4, 2012 at 1:21am
Avagabond drifting between continents and her homeland Cayman Islands, singer-songwriter and pianist Natasha Kozaily recently found a new base in Southern California where she recorded her debut album Between Shores and her latest EP A Tale of One Fish.Whether she’s performing solo or with her talented band of gypsies… Read More
Rise of Korean Pop Music and the Resurgence of the Mega-Pop Group
Sunday, January 22, 2012 at 8:51pm
Rise of Korean Pop Music and the Resurgence of the Mega-Pop Group
By My Nguyen
The past decade has seen a significant shift in musical formats: from the CD to the MP3, we’ve now become more attuned to the way music is being downloaded. But the most significant power shift has to be once record companies and their clout fell into the hands of the consumer. The wake of the 21st century was, also, greeted by another drastic change in our music listening landscape.
In 2001, it was Steve Jobs and his crew of designers and engineers, who introduced the world to iTunes and the iPod, which went on to immediately shape the way we store and play music. Now it seems like that era is coming to a close. For one, speculation has been made on whether Apple will discontinue the Classic iPod and the iPod Shuffle when press passes were issued for the most recent Apple summit on Oct. 4th and no word was mentioned about the iPod. But the most shocking news of all happened the day after the summit; the date we will all perhaps remember as the day a revolutionary figure in the tech world passed away. Mere months after Steve Jobs’ resignation from Apple was announced, the death of the former Apple CEO is a closing, in many ways, of a chapter within our cultural identity. And with that thought, Steve Jobs will be sorely missed.
It is still a shock to even talk about: Jobs has been a guiding force in the tech world, interceding as Apple’s spokesperson to present to a not easily swayed world a more accessible approach towards music. He has inspired legions of fans as well as critics, but in the long-run it is undeniable that his and Apple’s influence spans the globe. Without his earthly presence, the expectant ‘Now what?’ runs tandem with ‘What’s next?’
Greg Kot reinstated in his music column for the Chicago Tribune, “Turn It Up,” that before Apple founder Steve Jobs passed away last year, he had proclaimed “the end of the PC-centric era of computing.” And that is certainly true, with the emergence of free streaming and music storage sites like Spotify, Amazon Cloud, and Apple’s iCloud, you can now access all your music data with a touch of a button on your cell phone.
According to Prefix Magazine, the online audio distribution platform, SoundCloud is quickly becoming one of the most used MP3 streamers on the internet, and with a reported $50 million in new funding from investors; this should vault the Berlin-based company into possibly conceding in the tech war with Apple, Google, Amazon, and Microsoft in the forefront.
Music used to be made up of mainly three components: physical, radio, video. If you could get all those three things working for you, then everything was great. Now there is so much more to consider with the popularity of social media and with these free streaming sites emerging as a sudden fixture within the music industry’s ever-shifting paradigm.
Niche music markets, Korean pop and especially the Asian American music scene’s heavy reliance on platforms like Twitter, Facebook, and YouTube has seen a dynamic rise in media interest in recent years.
YouTube sensations David Choi and Marie Digby, whose cover songs and original tracks quickly went viral due to word-of-mouth via social networking sites, are now pop stars in their own right – the former singer-songwriter’s songs have appeared on NBC, FOX, VH1, MTV, A&E, E!, Travel Channel, Style, PBS, Food Network, Disney, among others, while the latter has performed at the Lilith Fair and released three studio albums, including one Japanese cover album.
As a Hong-Kong born, US-raised singer songwriter, Jane Lui, like Choi and Digby, has developed a loyal following through her YouTube channel, and was featured on the front page YouTube’s Unsigned Picks in 2009. For her third full-length release, Jane raised over $11,000 in two months thanks to the generosity of her fans to fund 50% of Goodnight Company, a self-released project.
And who can forget the mega-rap group, Far East Movement? Released after signing a major record deal with Cherry Tree Records in 2010, their hit single, “Like a G6,” launched them straight into the limelight. According to NYDailyNews, the band consisting of Korean, Japanese, Chinese and Filipino members born and bred in L.A.’s Koreatown, have waited a long time for this historic moment. Gauging from their party anthem appeal and from their collaborations with popular artists like Mike Posner, Bruno Mars, and Ryan Tedder from OneRepublic, Far East Movement is reported to be the first Asian-American group to break into the mainstream.
But it was only a few years ago that music insiders were reported to be highly hesitant to address Asian-American mainstream music as an actual trend. Despite the split consensus, it looks like other facets within the Asian American music scene are making headlines. Recent coverage from Pitchfork and The Guardian writers that chronicled the rise of the Korean pop wave shows that these two major publications have sniffed out the potential of this growing internet phenomenon.
Korean group Bigbang’s surprise win at the 2011 MTV European Music awards sheds some light on this burgeoning trend. Beating Britney Spears by 58 million votes, it goes to show just how much of a stronghold social media has on music. The Guardian reports that with a smatter of K-pop events throughout the west, the SMTown World Tour – featuring Super Junior, TVXQ and Girls’ Generation – and televised soap operas that can also be found on the net, are paving the way for what is for now deemed as an internet-based phenomenon crossing over into mainstream success.
But what is the likelihood of these K-pop stars reaching the same statuses as the Justin Bieber’s or the Lady Gaga’s of our day? Soompi, one of the longest-running blogs on the internet that provides extensive coverage on Korean pop culture, disputes the chance of K-pop hitting the big time. According to the pop culture blog, in the same way that Hollywood is painted as the golden standard of movies, the same goes for the music market and its influences. For any K-pop group to achieve the kind of fame that put top acts like Justin Bieber and Britney Spears onto the top Billboard charts – they would have to first make an impression on Americans first.
Yet in the peripheral lies the question whether Asian American music will become mainstream and with the Asian American scene still under its own developmental stages, whether the far-reaches of K-pop becoming a mainstay within our musical landscape is plausible. With no reported historical precedent to compare notes with, it’s hard to gauge how much further international as well as Asian American acts have to go. But there is no denying that K-pop and the Asian American acts of today have come a long way. Out of hearing so little out of this niche group in music to the appearance of Hong Kong-based MC Jin, to the emergence of pop sensation Bruno Mars, and the success story of Far East Movement, there seems to be a newfound hope for the scene. And with fans of K-pop and Korean soap operas’ downright fanatic peddling for the public’s interest, it only seems a matter of time before these underground pop sensations become a part of the predominant scene.
Natasha Kozaily
Friday, January 20, 2012 at 8:43pm
Live Show Review: Dead Feather Moon @ The Griffin
Tuesday, January 17, 2012 at 8:13pm
Show Review: Dead Feather Moon w/ Shady Maples
By Christopher Skrypack Jan 14th 2012
A Griffin is a legendary creature with the body of a lion and the head and wings of an eagle. It is thought of as the king of creatures, known for guarding treasure and priceless possessions. Well, if you consider a friendly commune where one can enjoy great live music and appealing craft beers a treasure, then the name plays. The Griffin, located on Morena Blvd. hosts the best in local and up-and-com
ing bands. Saturday night, bartenders satiated the thirst of music enthusiasts, serving up artistry brews from San Marcos’ very own Lost Abbey Brewery.
The Griffin offers everything a good venue should. It is easily accessible, versatile, and comfortable, doing all of this while providing quality sound. The lively crowd in attendance was encompassed by what has become Death Feather Moon’s loyal fan base. San Diego’s Shady Maples situated the night’s vitality early seizing the tavern’s attention from the first note struck. Singer-songwriter Owen Roberts’ performance did not go unnoticed showing evidence of headlining capabilities sure to be utilized on any other night. With help from Greg Peters on lap steel, the gritty, acoustic and electric mélange added much appreciated substance to the line-up’s potency.
Peters, in his own right showed as much versatility and professionalism in his musicianship as one might find from a highly skilled studio instrumentalist. Admirable in his approach towards his craft, he pulled double sessions performing with Dead Feather Moon as he regularly does after the culmination of Shady Maples’ set.
Dead Feather Moon’s first show in 2 months was not lackadaisical in any form as one may expect after such a period of time off. Like a well-oiled machine the group failed to skip a beat, unless it were intentional of course, as they illuminated their eminence performing brilliantly.
Prompting fan participation from stomping and clapping to lyrical refrains, those in the pit and throughout the venue threw their worries aside and enjoyed every minute of the show.
Not enough can be said about Justin Berge on lead vocals. His genuine likeability, together with his talent and energy, is sure to be vital to the group’s continued success. Tyler Soule on drums, along with Jesse Kling (guitar), Chris Bowling (bass) and Greg Peters who played anything with or without strings that was close enough to get his hands on, were so exuberant it was contagious.
The group’s avid fans, as it tends to be relative, embodied the same qualities as the band. They were friendly, polite and real, all of which added to the gratifying atmosphere. As much as I look forward to experiencing another Dead Feather Moon show at the Griffin, I will be sure to follow them to any venue they frequent in San Diego and beyond. Regardless of the size of the stage they perform on, I can only imagine the band consuming the environment as they did Saturday night at the Griffin.
For More Info, Please visit:
Preview: Handsome Furs with D/Wolves and Snakesuit @ Belly Up Jan 15
Saturday, January 14, 2012 at 12:52am
By Connor Green Jan 13th 2012
The three day weekend is upon us and that means your Sunday just opened up for partying. With all of Monday to sleep in you have no excuse not to party all night with the Handsome Furs this Sunday January 17th at the Belly Up Tavern. If you’ve never witnessed the ferocious power of Dan Boeckner and Alexei Perry live, now is the time. Boeckner, the guitarist and vocalist for the seminal (now sadly defunct) band Wolf Parade, plays guitar while his wife, Alexei, plays keys and both sing and/or howl. Together, the duo’s frenetic energy, lust and raw nerves make for an exhilarating live show that combines the immediacy of an unhinged yet earnest doomsday prophet with the rabid energy of a trapped wolverine.
Speaking of vicious woodland creatures, I would be remiss in not mentioning the two openers and local standouts D/Wolves and Snakesuit. Snakesuit will start off the night drenching you in buckets of moody synths and D/Wolves will keep the party raging with their special brand of haunted, dreamy pop. Doors open at 8pm, show starts at 9pm so don’t be late!
Sunday Jan 15th 9:00 pm
http://snakesuit.bandcamp.com/
Purchase Tickets here www.bellyup.com
Live Show Review: The Spells, Family Wagon, & The Tall Ships @ Belly Up
Friday, January 13, 2012 at 10:03am
Like I always say, what better way to start of a new year than with some new sounds? Thursday January 5th at the Belly Up Tavern I was able to do just that with San Diego’s The Spells first ever album release party. Openers for The Spells included other local bands The Tall Ships and Family Wagon. Three bands with three very different sounds helped to create a night of unexpected and memorable musical discoveries giving me a glimpse into the excitement of 2012.
My night began a question: Am I early? Minutes before The Tall Ships were to take the stage the Belly Up seemed to be unfortunately barren of eager ears waiting to experience what this trio had in store for them. With maybe only a couple dozen of us in the place, The Tall Ships delivered the first sounds of the evening and quickly made me realize that I was a part of the lucky few who were experiencing this. Under dim lighting Keith Andrew, Kyle Conwell and Steve Kuhn began with a mellow instrumental that held hints of Death Cab for Cutie and The Postal Service but stood out as unique and original. Progressing into further layers of sounds they pleased us with deep yet smooth vocals which paired perfectly with stronger tempos and richer guitar. With their composure and fluidity they produce the perfect soundtrack for those clear-your-head road trips or moments when searching for artistic inspiration. I had become so lost in their music that I only noticed by the end of their set all the admirers they drew in to the now crowded venue.
A short wait later Family Wagon took the stage and instantly sparked intrigue and energy with every soul in the place. With half the band looking like they were straight out of the 70’s, they recreated the classic rock sounds of the free spirited decade and added all the eccentricity of today’s generation. I was quickly impressed when they managed to take several genres of music and confidently added them into their stand out style. Their song “Hard Times” had a blues meets rock and roll feel while “I Wonder if She Knows” produced a rock meets country twang with more passion and soulful lyrics. They had the crowd screaming and banging their heads right along with them and had some serious hair whipping that could put Willow Smith to shame. Killer guitar riffs, perfectly toned vocals, and captivating stage presence proved a cohesive and ingenious band that should have no problem making a larger name for themselves and in my opinion, the only thing missing from this show was a stellar cover of “Sweet Home Alabama”.
After the first two bands immediately captured my attention and made me want to hunt down their albums, I was excited to see what The Spells had coming up. My hopes were high and I could hardly stand the wait for them to begin. Formed from the indie-pop project Years Around the Sun, they spent over a year writing and recording music for their first album “Little Oaks”, which on this night we were there to celebrate. Shortly after 10pm Ronnie Dudek, Matt Lynott, Mia Stefanko and Jonny Doan took to the stage. Maybe it was nerves, or the lack of practice they admitted to, but excitement and energy seemed to be missing in their performance. Despite that, their upbeat indie sound and captivating lyrics suited them well. Stefanko complimented the rest of the band perfectly on the keyboard and the fluidity from song to song seemed on point. The Spells undoubtedly have talent, work well together as a group and have a fan base which was evident from the strong turnout, however, their stiffness on stage made the show a bit uncomfortable after following two bands who provided us with just the opposite.
Beginning my new year with three new bands to add to my playlist has already made 2012 something to look forward to. The Tall Ships are perfect for some fresh inspiration and new perspectives, Family Wagon will for sure be on my next party playlist and will be blasting loud through my speakers as I cruise down the highway with the top down, and The Spells’ new album “Little Oaks” should be a first choice for fans of the local music scene. So far 2012, I applaud you!
Album Review: The Beautiful View
Tuesday, January 10, 2012 at 6:29am
The Beautiful View
By My Nguyen Jan 9th 2012
Based in San Diego, The Beautiful View is mainly comprised of group members who grew up in Chula Vista (translated in Spanish means, Beautiful View), a city close enough to Tijuana to feel affected by the border violence headlining in the news, but removed enough for kids to safely play in the streets under the conservative banner that makes up San Diego county. Perhaps it’s with this delicate balance between two entirely different regimes so closely aligned together, and yet coinciding as if they are world’s apart that makes The Beautiful View such a hard band to coin.
With influences and correlations from all over the place, The Beautiful View’s loud, oftimes gaudy sound in life is beautiful has connotations of punk enmeshed with classic rock with an operatic feel. And with touches of Alien Ant Farm’s sound detected as well as far-reaches of The Airborne Toxic Event entrenched in the clever hooks and melodious sound, it doesn’t come as a surprise that TBV’s music emerges as a bit mainstream.
But gleaming with a little of glam rock in-between the epic backbeat and tight sound, perhaps radio music would pale in comparison. Towards the second track “The Spaniard,” The Beautiful View makes it plain that they are an Alternative band, but as the incoming tracks on the album compilation elicits, TBV is able to retain a rawness that still makes them relatively indie.
Starting at “Mercy is a Cold Shower,” the guitar riffs and disparaging vocals shows that TBV’s debut LP can get yet even more dynamic and cohesive. In life is beautiful’s fifth track, “Bells” as Aaron Magnan (vocals, guitar) sings “I’ve been waiting for you with bells on/ liberty bells/silver bells/and all hells on—,” the track should immediately signal to the world that TBV is a band to be reckoned with. And while their debut full-length officially drops Jan. 10th, the Chula Vista-based quartet is definitely making waves with a local tour, SXSW, and a national tour in the works.
Towards the 7th track, “Ides of March,” (Wiki defines ‘ides of March’ as middle of March and the date of Julius Caesar’s assassination), you can see where The Beautiful View has perfected their sound. Dripping with condescension and a killer ease, the song speaks of betrayals, and definitely has a psychedelic feel with a bit of reggae, and a surfer vibe.
The Beautiful View’s music has that same epic appeal that grows with every listen. “Always Only Me” is about a loner seeking love. Like an anthem for the soloist, as Magnan sings “Just keep the light on/Love will keep the love on,” you feel the modulations of emotions exhibited in the track especially after the great guitar solo near the end.
With an eclectic sound, you can see The Beautiful View’s influences are from all over the board. TBV has elements of all classifications under the rock umbrella as well as the genre’s influences, but overall they have a really cool sound. With great musicianship and happening vocals, be sure you grab your copy of life is beautiful, which comes out Jan. 10th, or be sure you catch The Beautiful View live. Loud and distinct with approachable vocals and a tight sound – just imagine them live.
For more info, please visit http://thebeautifulview.com/
Coachella 2012 Full Lineup
Tuesday, January 10, 2012 at 1:42am
Coachella will be taking place over the course of two weekends in April. The line up will be the same for both weekends. Check out the full line up below.
Night 1 April 13 & 20
The Black Keys
Swedish House Mafia
Pulp
Refused
Arctic Monkeys
Mazzy Star
Afrojack
Explosions in the Sky
M83
Amon Tobin
Cat Power
Madness
Jimmy Cliff
Tim Armstrong
Girls
Rapture
Madeon
M. Ward
Horrors
Frank Ocean
James Alesso
Sebastien
Yuck
Neon Indian
Dawes
Black Angels
Deathgrips
Wu Lyf
Breakbot
Atari Teenage Riot
Feed Me
Givers
Other Lives
Band of Skulls
R3hab
Wolfgang
Midnight Beast
EMA
Ximena Sarinana
Kendrick Lamar
The Dear Hunter
Honeyhoney
Hello Seahorse!
Sheepdogs
LA Riots
Night 2 April 14 & 21
Radiohead
Bon Iver
The Shins
David Guetta
Noel Gallagher’s High Flying Birds
Kaskade
Miike Snow
Jeff Mangum
Sebastian Ingrosso
Andrew Bird
Feist
Firehose
Godspeed You! Black Emperor
St. Vincent
Martin Solveig
Subfocus
Sbtrkt
Flying Lotus
Manchester Orchestra
Kasabian
AWOL Nation
Azealia Banks
Squeeze
A$AP Rocky
Buzzcocks
Kaiser Chiefs
Destroyer
The Head and the Heart
Laura Marling
Tuneyards
Grace Potter and the Nocturnals
Black Lips
The Big Pink
Childish Gambino
The Vaccines
Zed’s Dead
Grouplove
Jacques Lu Cont
We Were Promised Jetpacks
Gary Clark Jr.
Borgore
Dragonette
We Are Augustines
Mt. Eden
Destructo
Suedehead
Keep Shelley in Athens
Pure Filth Sound
Night 3 April 15 & 22
Dr. Dre and Snoop Dogg
At the Drive-In
Justice
Florence and the Machine
AVICII
La Roux
Beirut
The Weeknd
Girl Talk
The Hives
DJ Shadow
Calvin Harris
Nero
Wild Flag
Modeselektor
Dada Life
Porter Robinson
Santigold
Flux Pavilion
Dr. P
Gotye
Seun Keti
Egypt 80
Beats Antique
Fitz and the Tantrums
Araabmuzik
Company Flow
Real Estate
Zed
Le Bucherettes
Greg Ginn
The Growlers
Noisia
Morgan Page
Gaslamp Killer
First Aid Kit
Oberhofer
Lissie
Thundercat
Metronomy
Wild Beasts
Housse de Racket
Fanfarlo
Spector
Gardens & Villa
Airplane Boys
Sleeper Agent
Preview: Dead Feather Moon @ The Griffin Jan 14th
Sunday, January 8, 2012 at 5:56am
If you’ve been searching for a breath of fresh air in San Diego’s local music scene or a slice of Americana is what you’ve been craving, the Griffen in Clairemont will have what you need this Saturday, January 14th.
As a recent selection of 91X’s “The Local Break”, Dead Feather Moon has played a prominent role locally while remaining true to their artistic roots. After headlining shows at the Belly Up Tavern and the Casbah, fans alike have signified how this group is bound for glory.
Like any good rock and roll band their influences run deep. Hailing from North County, founding member’s Justen Berge (vocalist/guitars) and Jesse King (guitar) transitioned from their youthful punk pursuit to writing lyrically proficient and original music. Their recent vibe integrates everything from psychedelic blues to southern rock. Berge’s vocal versatility irradiates on the their recent album Dark Sun, at times emulating Jim James from My Morning Jacket. The band’s harmonies will also satisfy the appetite of any fan looking to appease their contemporary folk fix.
Saturday night’s music scene at the neighborly dive bar is sure to be a sight to see. It seems fitting that in this industrious band’s quest to consume the San Diego circuit, music goers have an opportunity to venture out and enjoy southern rock situated in Southern California.
The Griffin 1310 Morena Blvd, San Diego 92110
Doors at 9:00pm
Cost: $8 Pre sale, $10 at the door
More Info visit: www.deadfeathermoon.com
Live Show Review: Pinback and Ghetto Blaster
Friday, December 30, 2011 at 8:16pm
Pinback and Ghetto Blaster Live Show Review
By My Nguyen Dec 19th 2011
Not even quarter to eight and there was a crowd already filing into the underbelly of The Belly Up Tavern, one of San Diego’s premiere destinations for music. Dimly lit with Christmas décor interspersed inside the popular venue, Monday night, Dec. 19th, just happened to be a sold out show. And this was mostly due to the fact that Pinback was headlining, but that didn’t stop the San Diego-natives, Ghetto Blaster, from trying to steal the spotlight. Formed back in 2009, and comprising of the group members Greg Sudor (drums), Ryan Foxe (vocals), Cole Mears (bass), John Cota (guitar), Ghetto Blaster played their first live performance at Bar Pink on May 2010, but since then have gone on to dissuade members in the audience to pay attention to their one-of-a-kind rock/metal dirges that is like a shrieking train coming to a complete halt mere inches away from spectators at the last possible second. It’s with this abrupt, in your face cringe-factor that the opening act of the night pivoted off their message from across the stage and into the audience – a sound that was, at times, relentless and resembled a combustible force that will at any moment annihilate your previous misconceptions of the group.
Right off the bat, frontman Ryan Foxe, made it clear that he had no pretensions of that night. Launching straight into the set without so much as an introduction, it was clear that the crowd surrounding the stage was in for a surprise. After a mind-blowing intro, where Ryan self-deprecatingly said that Ghetto Blaster was warming up the stage for Pinback, his ability to maneuver with swift agility within the proxy of the stage from karate kicks to hawking jokes from the crowd when the band crossed a technical difficulty saved the Ghetto Blaster from being called anything but ordinary.
No one had really heard of the experimental 4-piece mega-group until that night. But the San Diego-based band, with their mesmerizing and vaudeville-ish vocals, drowning backbeat, and the rage that drips with absolute ease from the lead-singer’s auditor-like vocals, will forever alter people’s minds and incite them with a pulsating energy that was previously missing from their lives before. Shrieking everything into his mouthpiece, which he then proceeds to swing like a pendulum into the audience, making them mildly concerned for their, as well as everyone else’s well-being, Ryan’s schizophrenic showmanship and anecdotal lyrics made for a pretty unpredictable show.
The film being shown onto the screen behind the band meshed very well with the themes that Ryan was spewing out and kept right with the hypnotic pacing of the music. Absolute anarchy was being projected and voiced onstage. While on the screen exhibited violence, hunger, and ugliness, Ryan upped it a notch when he unexpectedly smashed a beer bottle onto his head. Then proceeding to finish the song, with a shard of glass still stuck to his forehead, he had unbeknownst to some in the crowd that night completed the freak show reference that was only on display before but now was fully embodied. Yet the damage was already done, and though the audience was definitely taken aback, they suddenly had a newfound respect for the guy.
The paranoia that Ghetto Blaster’s frontman unleashed into the crowd that night dissipated once Pinback hit the stage. The dynamic duo comprises of Armistead Burwell Smith (Zach), and Rob Crow, and their beautiful harmonies and interwoven melodies contrasted greatly with Ghetto Blaster’s harsh and bitter sound. Nonetheless, it was obvious that Pinback’s music, though mellower and more introspective, struck a chord within the musical landscape of each member of the audience that night. It is interesting to point out that though Pinback’s sound has a personalized touch to it that is meant for a more intimate setting – but because of Pinback’s huge following this makes ‘intimate’ impossible – their music translated very well live at the sold out show inside the Belly Up Tavern. Monday night exemplified that paradise is a state of mind and that music could be that possible conduit to reach to that state of being.
Throughout the rest of the night, Pinback, due to the insistence of the audience (someone near the stage had a bottle opener on him, and continued to open beer bottles one after the other for the band) continued to showcase their wide catalog of songs. The tracks each carried a melancholy essence to them, like a dream that was realized and then was lost. Perhaps it’s with this not-of-this-world stance that, for some of us, lead guitarist and vocalist, Rob Crow, seems to be searching for something, and he is utilizing this platform and the stage to find that missing piece. Though the audience, too, is avidly searching for that intersection in music and life, unlike Rob we have found it, and those who were present that night were rejoicing in its discovery.
It seemed like all the components worked very well in the set: from the coalescing of the music, the film being shown on the backdrop behind the band to the enigmatic presence of Rob and Zach, who did not speak one word to the audience that night, all inspired and moved those in the audience that Monday night. Live, dynamic, and badass – a Pinback show is not to be missed.
For more info on Pinback and Ghetto Blaster visit:
Feeding the Soul Foundation’s KFTS Radio Variety Show
Tuesday, December 27, 2011 at 9:30pm
By My Nguyen Dec 17th 2011
Presented by the Feeding the Soul Foundation, the KFTS Radio Variety Show on Saturday, December 17th, paid tribute to the old days of radio as well as went on to highlight the top acts in today’s music scene. This intersection of ideas and the meeting of like-minded music-loving individuals were very much akin to last year’s successful FTSF Benefit Concert and CD Release at The Auditorium at the Neurosciences Institute in La Jolla. With a list of performers that included Bushwalla, Dawn Mitschele, Alex Woodard, Raining Jane, MC Flow, and a surprise guest-appearance by Jason Mraz, the star-studded event, which promised to be a riotously happening affair, ended up exceeding expectations and went on to pave the way for further innovative projects to help benefit great causes like The Indigenous Education Foundation of Tanzanzia at FTSF’s Benefit Concert with Luc & the Lovingtons and The Makepeace Brothers last November.
The second annual event at the beautiful auditorium at the Neurosciences Institute as a part of Feeding the Soul Foundation’s performing arts series was a multi-faceted event. The brightly lit stage, itself, with its inner sanctum aglow in green and orange hues and diamond-cut walls exemplified the intricate forms and colorful spectrums of a prism. Designed to create a uniform sound regardless of seating arrangements, the acoustics behind the 352-seat hall is exacting in its sound precision. That night revelers all had the equal opportunity to share in this community of genuine giving and to hear some great music being performed live onstage.
The charismatic television-host, Justin Willman (“Cupcake Wars” and “Hubworld”), who also recently performed for Barack and Michelle Obama at the White House, filled the night with many a magical moment, and contributed to the already happening program with many a jaw-dropping magical illusion and comedic gesture. As host to the KFTS Variety Show, his presence also added a cohesive-quality to the program while going on to wow-audiences throughout the night with his power of enchantment.
One of the best magic tricks of the night happened to be the magical incantation that Justin presented to audiences after introducing why he became a magician (Hogwarts) and if he went to magician school (Michigan-state). The illusion required two relative strangers to set foot onstage, and a deep trust that would enable what appeared to be a Coke-Cola filled cup to be poured on top of both these relative strangers’ heads. Throughout the night would continue to unravel these deep-felt connections that perhaps would never have occurred at any other time or place.
The first act of the night was the Broadway West kids. Created by Britta “Skoom” Ellis, Buswalla, and David Geist, Broadway West is a musical arts camp for young kids between the ages 8-15 that support a fun, safe, and inspiring environment where kids can explore the love of the arts.
Opening with their rendition of “Hard Knock Life”, and “Tomorrow” from the Broadway Show Annie! – The Broadway West is a talented group of kids. Their entertaining renditions of Christmas songs provided great sing-along’s and holiday cheer for the yuletide crowd.
Right on cue, Bushwalla joins the gang onstage. Pouncing straight into Bushwalla’s popular hit, “Ghetto Blaster” with The Broadway West singing backup, the collaborative effort resembled a bit like the Yeah Yeah Yeahs’ frontwoman, Karen O’s project with Karen O and the Kids for the movie soundtrack, Where the Wild Things Are.
Segueing into the next song, Bushwalla informs the audience that as part of the Broadway West’s ‘boot camp’ for the arts initiative, the vocal coaches require the kids to welcome the start of a brand new day with the uplifting statement, “Best Day Ever!!!” According to Bushwalla, one guy who isn’t having the best day ever is – and breaks right into a great bluesy rendition of “How the Grinch Stole Christmas”.
The group of female singers from San Diego, Voices of Prayze, who performed with Jason Mraz and appeared on The Conan O’Brian Show as well as performed the national anthem live for the San Diego Padres, also, had many a stand-alone number Saturday night. Accompanying the talented group of ladies’ Motown/gospel grooves on stage that evening was cellist and vocalist to Raining Jane, Mai Bloomfield, who had collaborated on Voices of Prayze’s album and, also, happened to be present at that night’s show for her scheduled appearance with Raining Jane. Mai’s appearance was unprecedented for the ladies of Voices of Prayze, but as it was mentioned before, the KFTS Radio Variety Show at the Neuroscience Institute had many a coincidental moment that did not fail to astound.
After a short intermission, The Makepeace Brothers were the next band to grace the stage. Performing a number of super groovy, sexy and sometimes slower and lengthier songs, The Makepeace Brothers definitely owned their sound. With many a gorgeous melody that was infused with lots of island-flavor, the vocals and instrumentals shined together. The crowd that night brisk in The Makepeace Bros. warm sound. Pitch-perfect and tonally sound, The Makepeace Brothers appealed to the audience with their charming looks, soothing vocals, and great musicianship. Overall, all of their songs performed that night adhered to a great sense of rhythm, and there was many a moment that had members in the audience dancing in their seats.
To end the night, the entire cast of characters from the Radio Variety Show appeared together onstage to perform “The 12 Days of Christmas” together. Comical and lively, the show’s finale was the best possible ending to what will live in many in the audience that night as a memorable evening.
For additional info on Feeding the Soul Foundation please visit feedingthesoulfoundation.org
Album Review: Ricky Small and the Talls
Tuesday, December 27, 2011 at 9:04pm
By Christopher Skrypack Dec 21st 2011
Maine native Ricky Small and his band “The Talls” have found their home in San Diego County. The self-titled album “Ricky Small and The Talls” demonstrates the group’s seriousness to their musicianship.
Formally educated at Berklee College of Music in Boston, Ricky’s lifelong pursuit of creativity has come to fruition. His inspirational lyrics, soothing vocals and coastal rhythm mesh comfortably with the Ross Ma’u brother’s pacific island influences. Small’s musical journey, swayed by such artists as Jason Miraz and Jack Johnson, has allowed him to merge his style to include a broad array of genres. The debut album creates a conglomerate of reggae, jazz, funk, pop and folk. Small’s charming vocals together with Nolan Greene’s professional and patient drumming exemplify the endorsement of San Diego’s young and up-and-coming talent.
The album cover’s artwork, both simple and subtle, gives a strong indication of the music within. Recorded in El Cajon’s Room 16 Recording Studio, the polished tracks solidify the group’s localized nature. Tracks such as “Irish Girl” illuminate Small’s poetic folklore while “The Cling” presents the band an opportunity to incorporate backing vocals demonstrating their completeness. Many of the remaining reggae tracks settle doubts as to whether Ricky Small and The Talls will be able to reach those fans looking for a stronger southern California sound.
However, the band may at times be too polished for their own good. Although there are plenty of shifting rhythms to get a concert goer’s feet moving, the band may struggle with those fans looking for something a little more raw. There are likely to be critics that will see the formal education as a limitation to Small’s ability to venture outside the box. Regardless, youth and persistence are certainly on this lifelong musician’s side. “Ricky Small and The Talls” is a strong foundational step towards their future. The debut album will undoubtedly give listeners an indication of the band’s earnestness towards their craft, which is a pivotal element to perennial success.
Free Download MP3:
“Same Old Story”
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Interview: Josh Damigo
Tuesday, December 27, 2011 at 8:54pm
Interview: Josh Damigo
By Caitlin Varner Dec 20th 2011
Josh Damigo is one of San Diego’s most talented up-and-coming musicians. He has been honored with several awards like the 2009 San Diego Music Award for Best Local Recording for his first album, “Raw”. With talent like his there is no question he will be earning at least a few more in his future endeavors. I recently had the opportunity to sit down with Josh after his performance at the Belly Up Tavern and get to know this witty California native. From the past to the future and everything in between, he is honest, whimsical, and charming while he shares with us just who Josh Damigo really is.
How would you describe yourself musically?
“It’s a combination of Shawn Mullins, Jason Mraz, and John Mayer. I think that for me it’s like story telling. Its story telling put to song, and that’s how I usually describe myself. I say with a little bit of Spencer and Heidi Pratt.”
So, all the drama?
“Yea exactly.”
How would you describe your everyday self?
“Bored. Moody. I don’t know. I sit around at home and think of different ways to write music. I just made the switch over to full time music and so, I guess right now my regular self is – I wake up in the morning and I go to Snooze, then I go home and listen to a record, write a song, and go to the gym. I think I’m just a prankster who just got lucky enough to sing. If it wasn’t for music I would be on stage goofing off or telling comedy or something. I like performing but music just happens to be it.”
So comedy would be the other career choice?
“Oh, man. Well, I have a master’s degree and I taught high school. So I was a high school teacher for drama and speech and I guess that I’m just a fan of making people smile. So, if it wasn’t that I would probably be a greeter at Walmart.”
Tonight you performed the song “Never Going to Let You Go”. You brought tears to not only my eyes, but several others in the audience. How do you manage to put so much raw emotion into your music and present yourself on stage in a similar way?
“I think I’ve just always been very open. Ever since I was a little kid I just talked and spoke my mind. On my Facebook and Twitter I piss off a lot of people because I’m just straight up every time. You will pretty much never find someone who is more honest than me. If you go, ‘Hey, what’s your opinion of this?’, I go, eh, it sucks. That’s why it’s really funny that I get along with some of the critics in town because I go, ‘Oh, is that your opinion? Let me tell you mine. Jerk.’ The honest thing is that I just think sometimes the story is more important than what people think about you in the end. I don’t want everyone to feel bad for me because my brother is going through all this because we are getting through it, but, at the same time, his story is more important. It’s more important than any song I’ll ever sing. So being able to tell about our troops coming back is way more important than singing about a girl or whatever song I’m singing.”
You’ve had the opportunity to open for some really big names. If you could pick any band or artist to go on tour with whom would you choose?
“Sean Mullins! He was my absolute favorite. “Lullaby” was his song, and that was what got me into music. I was just like, ‘oh, I want to do that!’ I got to open for him in February and he took us out to dinner afterwards – this is a really good story – he took us out to dinner and we are sitting there and we’re eating this steak, or whatever, and he goes ‘Hey Josh, I want to let you know that you got everything you need to make it in this music industry, now you just gotta be lucky.’ And I was like, ‘well, how do I do that?’ So he signed my poster “Be Lucky”. That was like my Elvis. That was the best feeling and then afterwards he says ‘hey, just another thing you should know. Never bring your wallet to a show.’ And I go, ‘why is that?’ and he’s like, ‘cause you’ll lose it. And by that I mean I didn’t bring my wallet so can you pay for dinner?’ And so I had to pay for dinner for all of us. It was pretty funny. That is one of my favorite stories and he’s super awesome. I’d definitely like to go on tour with him and I think him and I would get along really well.”
You’ve been writing songs and making music for quite a while. Do you have a song of yours that means the most to you?
“Um, I’ve got a couple on this new album that I’m really attached to. The one you heard tonight, “If I Had a Dollar”, that one, I was literally like overdrafting for overdrafting. It was overdraft fee for overdraft fee. I was just looking at it, so I called my friend up to hang out and she goes, ‘You only call me at night and yada yada yada….’ And I was like, ‘Woh, hold up. I would hang out with you all day if I had any money. If I had a dollar I would spend it all….on….you…’ And then I hung up the phone and I didn’t talk to her again after that, but I wrote the song right then. There was a song on my last album called “Pocket Change” which is literally the story of me moving to San Diego and so that means a lot too. I would say those two songs are the most closely related to my life and I hold really close to me.”
Other than tonight, have you ever had any funny live show bloopers?
“Oh, man. Well I’ve been playing for five years so I’ve done it all. I mean I’ve gotten to shows where the sound guy left the room and it was just me, the soundboard and seats. I’ve played empty shows where I’ve just goofed off. I was in Nashville, it was the only show I’ve played in Nashville, and the sound guy’s name was like Jeffrey. Well, I called him Sol, or something really off the wall, the entire night like fifty times. He was so mad at me for forgetting his name he wouldn’t talk to me at the end of the night. That was probably the worst blooper I’ve had.”
When can we expect your new album?
“Within the next six months. We haven’t picked a release date. We’ve recorded like 28 songs because I’ve been writing and writing and writing. It looks like we’ve got two albums kind of forming. One is kind of like a 60’s retro and the other one is kind of like a country rock. Ryan Adams did the sound and I think right now we are at the stage where we are putting in strings in the next two weeks. So, I would say within the next three, four months my new album will be out. I’m so excited! It will be my first full length studio album. My other one was acoustic and that’s fun, but the next step in my career is to bring in the whole band. I play with a band sometimes and it’s just a whole different vibe. I’m really excited.”
Imagine yourself in 5 years, where would you be?
“If I’m still doing music that would be nice. I would love to be on tour full time. I would love to have a manager and have the whole thing, you know. Maybe get invited to the Grammy’s at least once. I don’t need to be nominated. I would just love to go. For me, it would be nice to find a nice girl who wasn’t going to cheat on me. You know, the truth is I’m so happy right now. I live in the most beautiful city in the world. I get to wake up when I want and go to bed when I want, and if I’m doing that I don’t have to be rich or famous, I just want to be able to make a living off music. So, if I’m in this exact same place where I am in five years I’ll be ok. It’s one of those things, if you find happiness you don’t want to mess with it. Sometimes we find happiness and we want to poke it will a stick and make it grow or change, but once you find that spot you just let it be. If things happen than that’s great. So I guess that my five year plan is to keep pushing. I’m a pretty business minded guy, but, at the same time, laugh the whole way and when I stop laughing it’s time to do something else. Then I’ll start doing comedy.”
To find out more on Josh Damigo please visit: joshdamigo.wordpress.com
Live Show Review: Shawn Colvin and Josh Damigo
Wednesday, December 21, 2011 at 9:40am
By Caitlin Varner Dec 20th 2011
We all have those songs that bring us back to a certain cherished memory. One cord of the melody and we flashback to a particular moment in time or imagine a familiar face. They are the soundtracks to our lives, fitting in to the scenes of our pasts so perfectly and wiping contagious smiles across our faces. You know what I’m talking about. Well, past and future managed to come together on Sunday, December 18th at the Belly Up Tavern with performances by Josh Damigo and Shawn Colvin. Colvin delighted us with her songs that take us back to those wonderful moments years ago, while up-and-coming Damigo set the stage for a soundtrack that will bring us back to these days we are creating now.
Local artist, and all around humble San Diegan, Josh Damigo took the stage Sunday night with a performance that could only be described as flawless. Damigo had the entire audience captivated with his great personality and witty stories that accompanied each song and somehow managed to have the audience laughing one minute and wiping tears the next, especially during his performance of “Never Going to Let You Go” (a song he wrote for his brother, Nathan, who is now in prison after an unfortunate PTSD episode). In all of the many concerts and intimate performances I’ve attended, I’ve never once had a show stand out like this one. With traces of Jason Mraz and Trevor Hall, he has what I like to call “couldn’t have said it better myself lyrics”. Relying more on vocals than on his guitar, he consumed the audience with his voice that cut through the air with such precision and tenderness you suddenly forgot to breath. At one point, he even stepped away from the mic and sang organically to a crowd gasping in amazement. At that point it was not only easy to see how and why Damigo has already received so many local music awards but to also ask the question, why is this guy not signed?! His performance was captivating and inspiring, and there is no question in my mind that he earned many new fans that night.
After an incredible opening act, Shawn Colvin, in all of her elegance, took to the stage and presented us with a show that no one will forget. She opened with a song by the Bee Gees and did incredible covers of “Not a Drop of Rain” by Robert Earl Keen, “Just My Imagination” by the Temptations, “California Girls” by Katy Perry and several more. She had the audience roaring with laughter when she reenacted a recent performance with America’s sweetheart Taylor Swift which involved a riser and some very sore quads, and when she sang for us a song she wrote for her 13-year-old daughter which went something along the lines of, “I’m the only person in the world. I’m the only person in the world. You’d think that I’d be sick of myself but nope, I’m still the only person in the world.” Excited applause went through the crowd when she began to sing her Grammy winning hit, “Sunny Came Home”. This being a song that highlights wonderful memories in my life, I shared the excitement of everyone in the room. As the perfect follower and closing, she sang her popular song “Diamond in the Rough” and took a bow to her fans. Walking off stage with a standing ovation, she delighted us with an encore and sang a cover of “Crazy” by Gnarls Barkley and her song “These Old Walls”. Even after more than 25 years in the music scene, Colvin is still able to draw in fans, new and old, and put on a performance that keeps you engaged, laughing, and begging for no end.
For me and all the others who had the privilege of being in the audience that night, Sunday was a show for the soul. Josh Damigo brought more to the stage than I ever expected, and without doubt he will be a part of my life’s current soundtrack. Shawn Colvin’s heartwarming and impeccable performance left us all with beautiful memories, gleaming smiles across our faces and feelings of content, ease and awe. I could only think of one way to end this already gushing review and that is to share with you a few words of advice. First, if you ever have the opportunity to see Shawn Colvin live, do so. And second, clear your schedule for Friday December 30th and head to Lestat’s to witness a truly amazing performance by Josh Damigo. You will not be disappointed!
Shawn Colvin www.shawncolvin.com
Josh Damigo joshdamigo.wordpress.com
Emma Lee
Tuesday, December 20, 2011 at 8:17am
Emma Lee is an up-and-coming singer/songwriter based in San Diego. The self-taught, guitar-strumming songstress is a natural stage performer driven by her personal experiences. With each lyric, the audience gets a glimpse into the artist’s past and present. Be it relationships or feelings about life, it all seems more enticing when delivered from Lee’s gentle, sultry voice. Listeners are easily lost in her world, yet comfortable in that new territory. At her live shows, it’s clear that Lee pours everything she has into each song, reliving the moments they represent.
Emma Lee on her music:
“Music has always been a very personal thing for me. I’m not one of those people who was always out jamming or collaborating with friends. It is definitely my emotional outlet. When I first picked up a guitar, I was in desperate need of one. I was at a turning point in my life at that time and was doing a lot of soul searching. I picked up a guitar on a whim just looking for a hobby really. It ended up completely changing my life for the better. I think I actually got to know myself through my writing. Being that my songs were so personal, it took me a long time to be able to sing them confidently in front of others. But when I did, I fell in love with that feeling. Being such an introvert, for me to say everything I want in a room full of people felt very freeing. I think I’m more comfortable singing about my feelings than I am talking about them.”
“In my more recent writing I’ve been trying to tap into my lighter side. Being in San Diego definitely makes that easier. Before, I never felt connected enough to my happier songs. Living here, though, at the risk of sounding cheesy, I’ve found that there really is just something about this place. I’ve been able to write more light-hearted songs and really feel that way at the same time, which is new and exciting for me.”
Emma Lee is currently working on her debut EP that is due out in the spring of 2012. The EP is slated to feature a variety of her older and new music.
Free Downloads
MP3: ”Made for Me”
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MP3: “Quick and Painless”
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For additional downloads visit www.reverbnation.com/emmaleemusic
